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Ceci n'€™est pas une... : visual perception in the digital age

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Ceci n'€™est pas une... : visual perception in the digital age

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Samenvatting

QUOTE “The twenty-first century witnessed unprecedented changes in our ways of perceiving: digital cameras, camera-phones, ipads, iphones, online sharing platforms like Facebook, Twitter, Instagram, visual blogs and online magazines, digital technology is extensively incorporated into our everyday life. Instantaneous, transportable, and easily reproducible, across geographical boundaries, our experiences of our surrounding world are increasingly filtered via digital mediums. In today’s hyper-visual digital age, ‘the screen has emerged as a primary setting for viewing images’ […]” – SUMMARY This thesis explores the way perception has changed over the last 10 years, with a focus on visual culture, and primarily, images, in the digital context. I will examine the developments of visual culture by focusing on 3 main discussions. Firstly, the invention of the camera has changed the way we understand paintings, and the ‘value’ of images. […] Secondly, I will look at the differences between analog photography and digital images, and how the circulation of images in the internet has shifted meanings of reality and representation. Thirdly, the rise of digital visual culture has led to a generation that grew up almost entirely among screens - what trend forecaster, Lidewij Edelkoort, terms as the ‘pop-up generation’. […] Finally, what this thesis hopes to achieve is to show how the changes in visual perception, as embodied in the current “pop-up generation”, have future implications for new experiences, cultural forms and modes of thought.

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OrganisatieHogeschool van Amsterdam
OpleidingAMFI - Amsterdam Fashion Institute
AfdelingMedia, Creatie en Informatie
Jaar2013
TypeBachelor
TaalEngels

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