A report of The Void Pop-up in the exhibition SALWA's Internet Café, which took place in W139 (Amsterdam) in July and August of 2023. It includes description of the program, images, and recordings of three livestreamed public events.

Human rights violations and onlyfans streamers, unboxing and sniping, #pewpew and #militarycurves, war and ahegao. The Kawayoku Inception by Noura Tafeche is an archival project that aims to shape under a new taxonomy contemporary digital elusiveness and the ultimate stage of violence sublimation. Presented …

In this episode THE VOID hosts the collective timeis.capital which runs an online platform for audio-visual research on self organisation. This project consists of interviews with people who self-organise and the 3D scans of the spaces where they do this — project spaces, antikraak, squats and living …

This episode of The Void was written and hosted by Rosa Menkman. It is concerned with the changing role of the library, reading, writing and publishing in a post-digital age. The performance/lecture was based on a presentation at the BiblioTech event, reworked for the Institute of Network Cultures. This …

A visual podcast on the history of social art policy in the Netherlands (1949-2012) and the lessons we can draw from it.

This article examines the organisation of collaborative digital methods and data projects in the context of engaged research-led teaching in the humanities. Drawing on interviews, field notes, projects and practices from across eight research groups associated with the Public Data Lab (publicdatalab.org), …

Given the expected advantages for individuals and societies, financial literacy is high on the policy agenda in many countries. This paper reports the results from a unique survey conducted on a sample of 13–16-year-old students in five European countries, aimed at measuring and comparing their level …

The Institute of Network Cultures and the Learning Community Critical Making are proud to present the Post-Precarity Zine, a toolbox for beginning artists. Times have changed. The art world and the creative economy are no longer the ones we used to know. The digital economy, the pandemic, and the cuts …