A practice-based research is presented investigating a method of teaching CI-recipients to play the piano with the goal of improving their aural perception. The method is based on the concept of ideomotor learning i.e. the development of a neural association between music and the movement that produces …

Three topics are discussed: audiomotor transformations in music, the aural perception of music, and procedural learning and music syntax. Biologically, the ability to make music and enjoy it is based on the innate capacities for beat induction and relative pitch (recognition of melodic contour). The …

The transformation of music into movement takes place while dancing, singing, and playing an instrument. The human capacity for beat induction facilitates rhythmic movement to the musical beat, a capacity share with only a few animals. While Parkinson patients are limited in their locomotive abilities, …

The realization of one’s musical ideas at the keyboard is dependent on the ability to transform sound into movement, a process called audiomotor transformation. Using fMRI, we investigated cerebral activations while classically-trained improvising and non-improvising musicians imagined playing along …

Parkinson’s disease is characterized not only by bradykinesia, rigidity, and tremor, but also by impairments of expressive and receptive linguistic prosody. The facilitating effect of music with a salient beat on patients’ gait suggests that it might have a similar effect on vocal behavior, however it …

The historically developed practice of learning to play a music instrument from notes instead of by imitation or improvisation makes it possible to contrast two types of skilled musicians characterized not only by dissimilar performance practices, but also disparate methods of audiomotor learning. In …

The functional and anatomical distinction between vision-for-perception and vision-for-action, the hallmark of the dual-stream Perception-Action Model, is equally applicable to the auditory domain, implying that non-conscious audition-for-action could play an important role in music performance. Ear …

Classical musicians are a unique population. Unlike other musicians, they learn their skills with the use of sheet music, right from the beginning. Investigation of brain response may help us understand how educational methods influence learning in this group of musicians. In this study, we hypothesized …

Using fMRI, cerebral activations were studied in 24 classically-trained keyboard performers and 12 musically unskilled control subjects. Two groups of musicians were recruited: improvising (n=12) and score-dependent (non-improvising) musicians (n=12). While listening to both familiar and unfamiliar music, …

Lange tijd heerste de opvatting dat perceptuele input aan de achterkant van het brein verwerkt werd terwijl de frontale kwab verantwoordelijk was voor het plannen en aansturen van bewegingen. Perceptie en actie waren anatomisch gescheiden. Het is nu duidelijk geworden dat ‘motor’ netwerken in de frontale …