When an institution wishes to develop a Masters programme that combines relevance to the profession with preparation for possible 3rd cycle study, there are many things to consider: curriculum design and content, facilities, stakeholder opinion, assessment, likely student intake, etc. But at least as …

The main challenge of today’s musicians and music educators trained in our conservatoires and music academies is navigating in a rapidly changing cultural landscape. In short, these changes are helping to shape a very different workplace for musicians and music educators. Flexible portfolio careers are …

This book has been written for musicians who want to engage with audiences beyond the concert hall and other traditional venues. The study is equally worthwhile for conservatoires and music academies aiming to change the increasingly unrealistic goal of training young musicians solely for the stage. …

Conservatoire cultures of musical hierarchies: implications for music in higher education.While studies of conservatoire cultures remain relatively rare, those in existence point to the hierarchical organisation of these institutions, where students compete for performance opportunities and recognition. …

The European music profession is rapidly changing and suggests more flexible career patterns and a need for transferable skills and lifelong learning strategies. Musicians collaborate increasingly with practitioners in other arts and societal cross-sector settings. This reality holds challenges and implications …

Young musicians at the conservatoire: talent or attainment? The mastery of a music instrument comes after many hours of practice: on the average 10,000. It should therefore be no surprise that most great musicians started their studies at an early age. Moreover, the technical achievement of playing a …