In this lecture Nigten talks about processpatching where a range of methods and approaches are loosly combined. This approach is well known from art and design practice and is a key concept in Nigten's ideas about the role of artists and designers can play as agents of change in trans- and interdisciplinary …

Conference report ´The Musician as Creative Entrepreneur´, Polifonia 3, The Hague (NL), 19-20/9/2014.

Redesigning business: networks in the creative economy

Jocelyn Bergland developed a preparatory training program for adolescent dancers of which critical reflection is an important part in addition to daily technical training and creative work. Through reflection, the young dancers monitor their own growth and development. Jocelyn Bergland was asked to join …

The present study attempts to explore the field of creative music workshops with the elderly. A growing amount of research has been carried out into running (creative) workshops, and besides we know a lot about the elderly and ageing. The aim of this research is to gather knowledge on the merging of …

In this contribution, a nearly comprehensive survey among creators and performers in media, arts and entertainment in the Netherlands is presented. It concerns the implications of digital reproduction and distribution for the creative professions as perceived by those working in it. Based on regressions …

People’s stories lie at the heart of this paper – stories about how people with vision and creative energy use the arts to address some of the challenges arising from feelings of isolation and dislocation in society. People have to be given the opportunity to speak, to be listened to, so that their observations …

One could write an alternative history of the Western modern arts as a struggle with industrialization. In this history, there would be almost no connection between classical fine art painting to the modern arts, but it would start with medieval craftsmanship, continue with the Arts & Crafts movement …