The realization of one’s musical ideas at the keyboard is dependent on the ability to transform sound into movement, a process called audiomotor transformation. Using fMRI, we investigated cerebral activations while classically‐trained improvising and non‐improvising musicians imagined playing along …

While improvisation is considered to be an art form, particularly in jazz, but also in eighteenth-century music, it may also be seen as an didactic instrument which can be used to develop implicit knowledge of music syntax. Two types of syntax may be distinguished: finite state grammars and hierarchical …

The realization of one’s musical ideas at the keyboard is dependent on the ability to transform sound into movement, a process called audiomotor transformation. Using fMRI, we investigated cerebral activations while classically-trained improvising and non-improvising musicians imagined playing along …

The historically developed practice of learning to play a music instrument from notes instead of by imitation or improvisation makes it possible to contrast two types of skilled musicians characterized not only by dissimilar performance practices, but also disparate methods of audiomotor learning. In …

Recognition of action, goals and intentions has been shown to be mediated by a multimodal mirror-neuron system, not only in monkeys, but also in humans. A fronto-parietal network of brain areas has been identified where these neurons are located. We should expect musical actions, goals and intentions …

In this fMRI study, it was hypothesized that mirror neurons in the premotor-parietal network would be activated while improvising performers listened to music. Such activations would suggest that perception is engaging the action repertoire of the improvising musician. Recognition and understanding of …

Using fMRI, ten improvising musicians were contrasted with 10 non-musicians to explore brain activations while playing by ear. Subjects either imagined playing the music they were listening to, without moving their hands, or assessed the performance verbally without actually speaking. Half of the music …

Mirror neurons in the cerebral cortex have been shown to fire not only during performance but also during visual and auditory observation of activity. This phenomenon is commonly called cerebral resonance behavior. This would mean that cortical motor regions would not only be activated while singing, …

Untrained listeners demonstrate implicit knowledge of syntactic patterns and principles. Untrained generative music ability, for example singing, humming, and whistling, is a largely unconscious or intuitive application of these patterns and principles. From the viewpoint of embodied cognition, listening …

Mirror neurons in the cerebral cortex have been shown to fire not only during performance but also during visual and auditory observation of activity. This phenomenon is commonly called cerebral resonance behavior. This would mean that cortical motor regions would not only be activated while singing, …