Samenvatting

This paper is based on the general (yet disputable) assumption that the theoretical debate of literature in digital networks has shifted, just as the poetic practices it is shaped after, from perceiving computer data as an extension and transgression of textuality (as manifest in such notions as ''hypertext'', ''hyperfiction'', ''hyper-/ multimedia'') towards paying attention to the very codedness - i.e. textuality - of digital systems themselves.