In this contribution we provide an overview of the existing knowledge on (multinational) teams operating in situations where extreme dangers create, or have created, havoc and disaster. After deciphering the characteristics of extreme conditions, we describe the traditional leadership requirements that …

The historically developed practice of learning to play a music instrument from notes instead of by imitation or improvisation makes it possible to contrast two types of skilled musicians characterized not only by dissimilar performance practices, but also disparate methods of audiomotor learning. In …

Using fMRI, cerebral activations were studied in 24 classically-trained keyboard performers and 12 musically unskilled control subjects. Two groups of musicians were recruited: improvising (n=12) and score-dependent (non-improvising) musicians (n=12). While listening to both familiar and unfamiliar music, …

Improvising around the world.Presentation April 7, 2014 – International Project Week ‘Improvisation’ Dept. Music Education, Prince Claus Conservatoire, Hanze University Groningen.