Using fMRI, cerebral activations were studied in 24 classically-trained keyboard performers and 12 musically unskilled control subjects. Two groups of musicians were recruited: improvising (n=12) and score-dependent (non-improvising) musicians (n=12). While listening to both familiar and unfamiliar music, …

Improvising around the world.Presentation April 7, 2014 – International Project Week ‘Improvisation’ Dept. Music Education, Prince Claus Conservatoire, Hanze University Groningen.

Dysarthritic Parkinson speech is characterised by impairment of expressive linguistic prosody, even making it difficult to understand. While rigidity and bradykinesia can be held responsible for a general decline in speaking ability, the origin of prosodic impairment must be seen in the light of the …

Een overzicht van de rol van improvisatie in het leven en werk van de musicus. Improvisatie wordt belicht als vorm van zelfexpressie, wat voor de meeste musici van jongsaf aan een belangrijk thema is. Daarnaast wordt improvisatie belicht als middel voor expressie van 'zichzelf en de ander', zoals dat …

Seeing improvisation as something that really needs its place in conservatoire training and education may be more or less ‘new’. However improvisation itself is of course not at all new and has existed since as long as we can remember. I will not go into that any further, it would take not a single address …

Untrained listeners demonstrate implicit knowledge of syntactic patterns and principles. Untrained generative music ability, for example singing, humming, and whistling, is a largely unconscious or intuitive application of these patterns and principles. From the viewpoint of embodied cognition, listening …