Presentatie onderzoek en ontwerptool Curious Hands

The Developmental Model of Intercultural Sensitivity (DMIS) has been widely used to conceptualise changes in how individuals experience cultural difference, typically described as a progression from ethnocentric toward ethnorelative orientations. While the model’s value is considerable, its common interpretation …

Intercultural literature often treats ethnocentrism and ethnorelativism as opposite ends of a single continuum. This paper challenges that assumption by adapting Herzberg’s two-factor theory to propose a dual-spectrum model: (1) a “hygiene” axis (ethnocentrism ↔ absence of ethnocentrism) that prevents …

In het project Curious Ears is onderzocht hoe studenten op het conservatorium geleerd kan worden om meer ruimte te bieden in de muzieklessen die zij geven. Vijf conservatoriumstudenten, actief op verschillende instrumenten en binnen verschillende genres, hebben hiervoor een keuzemodule gevolgd die gericht …

Zonder waarde is er geen erfgoed. Als iets waardevol is, is er immers de wens om het te bewaren voor de toekomst. Erfgoed kan worden gewaardeerd aan de hand van een normatieve, kunsthistorische benadering, maar ook vanuit hoe mensen en groepen mensen waarde toekennen aan het erfgoed. In dit onderzoek …

Blog over muziekeducatieve ideeën die onjuist zijn

During the symposium NoorderRuimte, researchers and students present their work. During the session Sustainable Built Environment (SBE), the lector and researchers presented their work with the concept of 'the brick', discussing past, present and future aspects of material, designing, architecture and …

BACKGROUND AND PURPOSE: Aphasia can profoundly affect an individual's identity. Yet studying identity in people with aphasia presents methodological challenges, as language, our primary medium for self-expression, is disrupted. This study explored how people with aphasia experience and reshape identity …

This paper emphasizes the importance of rethinking the concept of expressiveness and how we approach itin higher music education (HME). It highlights that current teaching practices often focus on acoustic elements of performance, while overlooking the visual ones, despite evidence that ancillary gestures, …