presentation and explanation of the film I see I see what you don't see, portraying people with dementia

Different unexpected combinations between industry, local government, private participants, educational institutes and artists resulted past year in challenging opportunities for transitions in urban and rural areas. The power of art with the perspective of the artist approaching challenges evokes a …

Contribution to the panel "Handling/Manipulating Photographs in Africa: New Perspectives in Photography History, I of II" convened by Erika Nimis and Marian Nur Goni, titled 'Beyond the Photograph; Ekifananyi Kya Muteesa'

Voor haar promotieonderzoek naar de interculturele ontmoeting in het hoger kunstonderwijs bestudeert Margo Slomp groepsgesprekken in de eigen lespraktijk. Het (auto-)etnografische en narratieve onderzoek verbindt het spreken van de participanten met hun levensverhalen. In dit artikel schetst ze een serie …

Over the last decade, the concept of a circular economy, an industrial economy that is restorative or regenerative by intention and design, has gained increased attention of policy makers, industry and academics. Recently the number of innovation projects, set up by local governments, communities, non-governmental …

Vanuit het project Step on the grass dat extern gefinancierd is door SIA is met partijen HempFlax en Donkergroen een prototype festivalgras ontwikkeld dat het gras bij festivals beschermt en de bodem verrijkt.

presentation and explanation of the film I see I see what you don't seePortraying people with dementia

Studiedag 2017 KDOV

In this essay I will discuss the specific nature of art practices in which the artist and his audience are moving away from the more traditional relationship in which the artist merely displays his art in museums or public spaces. They consist of intimate and personal processes made possible by the grace …