This research thesis compares different institutional (professional) ways of dealing with objects of heritage related to popular music and musicians, and to reflect on them in relation to non institutional collecting and presenting practices, such as those of fan communities. The main question of …

In leaving the more traditional territories of the concert performance for broader societal contexts, professional musicians increasingly devise music in closer collaboration with their audience rather than present it on a stage. Although the interest for such forms of devising co-creative musicking …

Presenting the working group Online Learning as the chair of the working group.

This chapter considers the use of haptics for learning fundamental rhythm skills, including skills that depend on multi-limb coordination. Different sensory modalities have different strengths and weaknesses for the development of skills related to rhythm. For example, vision has low temporal resolution …

Lezing/discussie op het congres van de Europese conservatoriumvereniging AEC over publieksbereik van musici, Zagreb 10-11-2017

Musicians often play under circumstances in which pressure may lead to anxiety and performance deterioration. Theories suggest that a drop in performance is due to a shift in focus of attention towards task-irrelevant information. In this study, we asked music students to report what they think and where …

Paper voor het Pop en Jazz Platform 2017 van de European Association of Conservatoires AEC, London, 18-2-2017

Slotreflecties voor het Pop en Jazz Platform van de AEC op Trinity Laban Conservatoire of Music and Dance, Londen, VK, 17-18/2/2017

Presentatie op uitnodiging ‘Audience and Performer Relations - On Musicians and Audiences’ tijdens het Pop and Jazz Platform 2017van de European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK, 18/2/2017

Slotreflectie ‘Leaving the Bubble’ tijdens Pop and Jazz Platform 2017 van European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK