Musicians often play under circumstances in which pressure may lead to anxiety and performance deterioration. Theories suggest that a drop in performance is due to a shift in focus of attention towards task-irrelevant information. In this study, we asked music students to report what they think and where …

Paper voor het Pop en Jazz Platform 2017 van de European Association of Conservatoires AEC, London, 18-2-2017

Slotreflecties voor het Pop en Jazz Platform van de AEC op Trinity Laban Conservatoire of Music and Dance, Londen, VK, 17-18/2/2017

Presentatie op uitnodiging ‘Audience and Performer Relations - On Musicians and Audiences’ tijdens het Pop and Jazz Platform 2017van de European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK, 18/2/2017

Slotreflectie ‘Leaving the Bubble’ tijdens Pop and Jazz Platform 2017 van European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK

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The historically developed practice of learning to play a music instrument from notes instead of by imitation or improvisation makes it possible to contrast two types of skilled musicians characterized not only by dissimilar performance practices, but also disparate methods of audiomotor learning. In …

The main focus of this article is on performance anxiety and stage fright in musicians, seen through the lens of biographical research. In short, biographical research deals with research into learning, taking as point of departure that important learning always needs to be understood in relation to …

Invited lecture for Symposium CityProms, Leeuwarden, 26/6/2015