Van Identiteitscrisis naar artistic teaching? is een kwalitatief evaluatief onderzoek naar de methodiek Didactisch Experiment. Deze methodiek is ontworpen door kunstenaar-docent Pavél van Houten en ontwikkeld voor studenten aan de opleiding Docent Beeldende Kunst en Vormgeving. Veel van deze studenten …

In Luganda, the widest spoken minority language in East African country Uganda, the word for photographs is Ebifananyi. However, ebifananyi does not, contrary to the etymology of the word photographs, relate to light writings. Ebifananyi instead means things that look like something else. Ebifananyi …

For the past decade I have, as an artist/researcher, investigated the uses of photographic pictures in East African country Uganda. The relation between photographic pictures and memory have been well researched and argued. But this is often done from a rather one sided Eurocentric perspective on photographic …

Drie onderzoekers (twee kunstlectoren en een hoogleraar) werden uitgenodigd een reflectie te bieden op de tentoonstelling Dwell, act, transform van het lectoraat Image in Context van Academie Minerva. Peter Sonderen (ArtEZ) brengt de noodzaak van het present zijn van het onderzoekproces als overdrachtsvorm …

Workshop waarin het project Ik zie ik zie vanuit meerdere perspectieven wordt geevalueerd als actie onderzoek.

Exhibition of Work In Progress outcomes of elective course 'Mythbusters, Unfixing Histories, World Press Photo'. The course is part of the project Unfixing Histories, which is related to my PhD research, but takes the gesture of investigating histories in and with photographs as part of artistic practices …

Opening lecture for the exhibition. In this short speech I have highlighted the vision of the research group which is the basics of our vision on artistic research, which lies at the bottom of this exhibition. So the three are closely linked: vision on and practices of the research group, vision on and …

In this essay I will discuss the specific nature of art practices in which the artist and his audience are moving away from the more traditional relationship in which the artist merely displays his art in museums or public spaces. They consist of intimate and personal processes made possible by the grace …