How to create a Critical Diversity Literate Art School, in which students and teachers of all cultural and ethnic backgrounds, genders, sexualities and (dis)abilities feel treated with equity and are supported to explore their full potential? This is the question at the heart of, and one of the main …

Does nothingness have to be empty, related to white, and, ultimately, be a shrouded representation of whiteness? Are empty spaces really, as John Barry claimed in his “No Show Museum” piece, quoting Marcuse, “places to which we can come, and for a while ‘be free to think about what we are going to do’”? …

WdKA makes a Difference was from the outset a project that was interested in looking into the ways in which White Hegemony has prevailed within the Willem de Kooning Academy. The four essays in this publication reflect on, are critical of, investigate the notion of inclusivity within the Willem de Kooning …

That contemporary universities and art schools are criticised for the reproduction of a Western (art) canon is nothing new and that those higher (art) education institutions consist of a predominantly privileged white student body is not a novelty either. It is therefore not my aim to reproduce these …

As a University of Applied Sciences located in Rotterdam, one of the most diverse cities in The Netherlands, we aspire to a diverse community, not only students but also of faculty and staff. While diversity is portrayed by the community's national, racial, class, (dis)ability, sexual and gender identity …

Blackness was and is en vogue[2] in the beginning of the 21st century, not only in popular culture[3] but also in the arts. This article aims to explore the difficulties and intricacies of the idea of post-black[4] art and its curatorial legacy, which was introduced as a curatorial concept in 2001. Additionally, …

When a human Body is confronted with toxic substances it has an immediate reaction. This first reaction was recently verbalised by a friend of mine, who happens to be an artist and was exposed to toxic steams in her studio; when she recognised the physical effects she immediately felt: “Oh my good- I …

Der Beitrag beschreibt, was Intersektionalität ist, und mit welchen Problemen dieser Ansatz verbunden ist.

Iwishiwas is the name of the piece by Afro-German artist Philip Metz, a photograph and portrait of a “self” and certainly much more than a wish – it also represents a biographic document, that raises questions about our contemporary conditions of being-in-the-world as Black (1) subjects. The short agglutination …