Classical musicians dream of an international performance career, a ‘Musotopia’ , in which they are able to make a living only by playing concerts. Reality tells us that 77% of performers earn over half of their income from teaching, and that 90% have a secondary occupation. Is there still work for performers? …

Seeing improvisation as something that really needs its place in conservatoire training and education may be more or less ‘new’. However improvisation itself is of course not at all new and has existed since as long as we can remember. I will not go into that any further, it would take not a single address …

Our conception of the brain is influenced by metaphors like the computer which grant the brain an executive function. This notion ignores the fact that the brain evolved in the context of the natural environment and functions together with it. In addition, we are frequently less aware of the action-perception …

The musical landscape in Europe shows a complex picture. Societal change leads to change in the careers of artists. We see an increasing number of unstable jobs in the music profession. It no longer offers many opportunities for full-time, long-term contract work, but is often more project-based, calling …

The European thematic network “Polifonia” was developed between 2004 and 2007 and was initiated and coordinated by the European Association of Conservatories (AEC). Within this project four working groups were engaged with the Tuning process (issues of transparency within the Bologna process), pre-college …