Conference presentation on the educational implications of healthcare musicians' new professional and interprofessional competences.

Male bodies in opera were given a new, daring dimension with the composition of the role of Oberon for countertenor in Benjamin Britten’s A Midsummer Night’s Dream. While male altos had existed in different forms for centuries, this opera marks the first time a countertenor was specifically acknowledged …

'Waar zullen we heen? Musici als verbinders'