This project focussed on the way in which images were used on Instagram to connect to the Oerol festival 2017 in the sense of ‘presencing’ (cf Meese et al., 2015). The case study is part of a PhD project that focuses on liveness in the mediatised experience of cultural events/festivals. Liveness is understood …

Paper voor het Pop en Jazz Platform 2017 van de European Association of Conservatoires AEC, London, 18-2-2017

Slotreflecties voor het Pop en Jazz Platform van de AEC op Trinity Laban Conservatoire of Music and Dance, Londen, VK, 17-18/2/2017

Presentatie op uitnodiging ‘Audience and Performer Relations - On Musicians and Audiences’ tijdens het Pop and Jazz Platform 2017van de European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK, 18/2/2017

Slotreflectie ‘Leaving the Bubble’ tijdens Pop and Jazz Platform 2017 van European Association of Conservatoires AEC, Trinity Laban Conservatoire of Music and Dance, London, UK

Three ideas are central to this booklet. First, the teaching/learning process is seen as a multi-modal form of teaching/learning. A form of learning that is distributed over the entire body: a living process that requires a bodily attentiveness and dynamical attunement of both teacher and pupil. Second, …

BACKGROUND: Generalized Joint Hypermobility (GJH) has been found to be associated with musculoskeletal complaints and disability. For others GJH is seen as a prerequisite in order to excel in certain sports like dance. However, it remains unclear what the role is of GJH in human performance. Therefore, …

Jocelyn Bergland developed a preparatory training program for adolescent dancers of which critical reflection is an important part in addition to daily technical training and creative work. Through reflection, the young dancers monitor their own growth and development. Jocelyn Bergland was asked to join …

The aim of this explorative research was to understand in which ways audience interaction influences the audience‟s experience of a dance performance. In particular this research focused on the processes of audience participation, affect, aesthetic distance and kinaesthetic empathy. To this end it investigated …

Bij ORO (een instelling voor mensen met een beperking) is het voor de dramatherapeute, die daar werkzaam is, lastig om drama methodisch in te zetten bij een ontwikkelingsniveau van nul tot anderhalf jaar ( ernstig verstandelijk beperkte). Ze ervaart dat ze al snel middelen en methodes van andere disciplines …